Hello all, just a brief introduction of what this space is:

I feel that ragas are innately very evocative and  expressive entities.

This means that it becomes the job of the artist to bring out that expression or evoke those emotions,  through a combination of thought, craft, and skill.

Music is not just practice, neither is it just thought. Its a healthy mixture of both coupled with soul, pain, and joy.

This space is to discuss how a certain artist, composer, or performer managed to bring out said attributes in a raga. 

We will also discuss how the choice of a raga can alter our entire perception about a composition and how some of these choices were made consciously, and some unconsciously.

This is not limited to any particular genre and folks from all walks of music are welcome. 

I will start off with brief explanations for some of the ragas I usually work with, either as a part of my practice or otherwise.

Please feel free to contribute as much or as little as you want. I am a firm believer that any interaction between two artists results in a gain of either information, or insight, and I personally will take away more from this club than I give. I hope to make this a space where everyone can feel that way.

Cheers!
Please wait for your turn.: The discourses in this club will be given by singers, vocal instructors, musicans, and teachers. I request the audience to please speak only when the Raise Hands button is enabled.
Please keep your microphones muted: Please keep your microphones muted if you are not speaking as it may cause unwanted interruptions.
I don't have to be the only person answering questions.: These sessions are aimed to be informative for everybody. Please be kind enough to accommodate people from all walks of music and answer their questions, whenever you can.